“What attracted her in cities even then was one element, or another that signified the whole city, and summarized it for her: a railing, the folds of a sheet hung out to dry, a turn in the stairs, the scaffolding and foil covering buildings, the metal structure of the Eiffel Tower, the coble stones of Rome and shadows everywhere, shadows that just about replaced those who had cast them.” – Krisztina Passuth

Shadows of Budapest, 1996, Painting-installation 1, photo, oil on canvas, 200×340 cm

/Collection Ludwig Museum Budapest/

Shadows of Budapest, 1996, Painting-installation 2, photo, oil on canvas, 260×340 cm

/in private collection/

Shadows of Budapest, 1997, Painting installation 4, photo, oil on canvas, 320×300 cm

/in private collection/

Shadows of Budapest, 1997, Painting-installation 3, photo, oil on canvas, 240×160 cm

/in private collection/

Shadows of Paris, 1998, Painting-installation 1, photo, oil on canvas, 380×500 cm

/in private collection/

Shadows of Paris, 1998, Painting-installation 2, photo, oil on canvas, 120×380 cm

/in private collection/

Shadows of Paris, 1998, Painting-installation 3, photo, oil on canvas, 120×240 cm

Shadows of Rome, 1999, Painting-installation 1, photo, oil on canvas, 170×320 cm

/in private collection/

Shadows of Rome, 1999, Painting-installation 2, photo, oil on canvas, 180×210 cm

/Collection Szent István Király Múzeum, city of Székesfehérvár/

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